Video tips, Barbara Flynn Franzoni, 10 quick fixes
I’m so sick of seeing boring, badly-made videos, aren’t you? And not just on YouTube! We live in the age of fast consumption where video is everywhere from LinkedIn lives (yes they’re a thing now), to facebook cover videos. This should be great news for me because I love video! I love being engrossed in great stories and I love the way film and video gives me glimpse into how other people see the world. What I don’t love is watching a boring video in the hope that the point is coming.., soon.
So here are my Top Ten Tips on how to make your video one that people will enjoy watching:
Perhaps you want to tell the viewer about yourself or your product or service. Some people will simply turn to the camera and give a fully exhaustive description of their offering and their ‘Why’ (which often involves a long and detailed story). The resulting video shows a face talking at the viewer for many minutes – what we call a “talking head”. While the face might be beautiful, friendly or animated, nobody wants to stare at a face for that long – it’s BORING!!
Obviously, being brief will help (see tip number ten) but another fix is to mix it up a little. Staring at someone’s face can be uncomfortably intense and humans are hard-wired to pay attention to anything that’s moving – a survival instinct we’ve retained from prehistoric times. To hold people’s attention you must show them something new every 15 seconds or so. That can be a cutaway shot, a change of angle, or simply pulling back from the camera to show it something other than your face (e.g., some props).
For edited pieces, film some cutaway shots which can be inserted strategically (aka B-Roll). This may include footage that explains or illustrates a point, details from the room that you’re filming in (e.g., a close-up of that interesting painting behind the person speaking) or details of the speaker such as a close up of their ear as they brush a strand of hair behind it, their hands clasped on the table before them, crossed feet where maybe one foot is wagging or tapping, a wrist as someone adjusts their watch, etc.
Think about how when you’re talking with someone, you’ll often look away from their face perhaps noticing their jewellery, or glancing out the window and try to replicate these momentary distractions in film.
When doing a piece to camera, it’s great to have a plan and a good idea of what you’re going to talk about, with a quick route to the point you want to make. However, if you know the exact words you’re going to say, then you’ll just sound wooden and over-rehearsed. Most of us aren’t actors and we can’t read a script while still coming across as authentic and natural – that’s why Meryl Streep and Tom Hanks are on the big money, their talent is rare.
Another mistake is placing written notes nearby in case you “get stuck”. This is a bad idea because when you glance at your notes, that eye-movement is exaggerated by the camera and portrays you as being insincere. Conversely, if you did become stuck, then you’d actually come across as being more authentic in the viewers’ eyes for your stumble. Tripping up on camera is actually better than trying to be perfect.
In film-making we say mise-en-scène which literally means to set the stage. When you present a video to your audience, every little thing in your scene becomes a part of the message you’re conveying. So, imagine a video about healthy living where an empty pizza box is clearly visible behind the speaker – that would undermine their message and credibility. Or heaven forbid, a well-known TV show set in a fantasy medieval world might leave a disposable coffee cup in shot…
I’m often asked to film people in their office, thus portraying them as professional and businesslike – but 9 times out of 10 the office is cluttered with cardboard boxes, piles of files and other bits that look anything but professional. Always ensure your space is camera ready before filming. Perhaps leave some interesting items about if they’re appropriate to the subject of the video.
Un-ironed backdrops are a new issue. While backdrops are a really good idea to hide poor backgrounds, they’re prone to creasing so fix this with ironing, steaming or tension frames to get a smooth background with no mess.
Speaking of ‘background’ let’s talk background noise. Whatever recording device you use, it will pick up the noises that your brain has tuned out, e.g., the hum of a refrigerator, a fan, air conditioning or traffic. And remember that your eye is far more forgiving than you ear – we’ll tolerate poor colour, framing or focus, but add some annoying background noise and viewers will switch off.
Lighting is important, but doesn’t have to cost a fortune. Good lighting can be as simple as opening the curtains and facing the window. Let the light shine on the face being filmed from in front or slightly to one side. When the lighting is really good, you’ll get catchlights which are the little squares of white light that appear in people’s eyes and bring your video to life.
If you’re using studio lights, don’t put them too close to your face or you’ll look washed out. Diffused lights give a softer and more flattering appearance, smoothing out your skin. Watch out for ring-lights however, as if they’re too close or directly in front, they’ll cast a very unnatural catchlight.
How often have you watched a video shot from below and realised that you’re basically looking up somebody’s nostril? Nobody wants to see up your nose. Try to move the camera up to at least eye-level (or higher if you’d like to hide a soft jawline).
If you’re filming a screen capture with voiceover be aware of the size of the text on screen. If you’re using powerpoint slides, for instance, remember that powerpoint was designed to be projected onto a large wall, whereas your video audience are probably watching on a phone. So avoid cramped areas of heavy text, space out written words, use them sparingly and ensure all fonts are both clear and HUGE!
Let your audience know where you are by starting off with a shot of your surroundings, or the front door of the building you’re in. This helps your audience to feel like they’re joining you there.
I’m talking here about accessibility and being careful to include people with disabilities as valuable members of your audience and customer base.
Used closed or open caption for people with hearing impairments (and also for those scrolling through video with sound switched off). Captions can either be typed into your editor manually, or you can try rev.com who offer a captioning service allowing you to download an SRT file that can be uploaded to your video in YouTube – do make sure you check the file for spelling errors or misheard words before uploading.
Also be aware of your vision-impaired audience, who will not be able to read all your graphics so include voice-over. For artistic pieces, you might consider adding audio description which the viewer can turn on or off (similar to closed captions).
The best video tool you have is your creativity. Be different, be original, and use that creativity – you don’t have to be the same as anyone else. Most of all, appreciate your viewers; they have given you their time and that’s amazing! Your viewers are important people whose time is valuable so please don’t waste it by making them sit though a boring video. Think up ways to delight them with your creativity.
And if you can’t be creative then please, at the very least, be BRIEF! Leave a little bit for the follow-up video.
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