Spirited Away, BFI Film Classics, Andrew Osmond, reviewed

Published: 05-28-2020, ISBN: 9781838719524

Imprint: British Film Institute, available from Bloomsbury here

Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan’s most successful film, and one of the top-grossing ‘foreign language’ films ever released. Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal. It tells the story of a listless little girl, Chihiro, who stumbles into a magical world where gods relax in a palatial bathhouse, where there are giant babies and hard-working soot sprites, and where a train
runs across the sea.

Andrew Osmond’s insightful study describes how Miyazaki directed Spirited Away with a degree of creative control undreamt of in most popular cinema, using the film’s delightful, freewheeling visual ideas to explore issues ranging from personal agency and responsibility to what Miyazaki sees as the lamentable state of modern Japan.

Osmond unpacks the film’s visual language, which many Western (and some Japanese) audiences find both beautiful and bewildering. He traces connections between Spirited Away and Miyazaki’s prior body of work, arguing that Spirited Away uses the cartoon medium to create a compellingly immersive drawn world.

This edition includes a new foreword by the author in which he considers the world of animated cinema post-Spirited Away, considering its influence on films ranging from del Toro’s Pan’s Labyrinth to Pixar’s Inside Out.

Spirited Away, BFI Film Classics, Andrew Osmond, reviewed

Perhaps the most well known movie from the Studio Ghibli stable, to quote Wikipedia. “It won the Academy Award for Best Animated Feature at the 75th Academy Awards, making it the first and only hand-drawn and non-English-language animated film to win that award.” It certainly helped to bring the Ghibli style to a much wider audience.

As a westerner the first time we watched Studio Ghibli movies we were blown away by the artwork, it was a beautiful, visual experience. The kids engaged with the characters, but sometimes, as the adult you were just enjoying the visual parade of colours and images. In some ways Spirited Away would have been much less of a favourite in our household. It was only watched once, whereas Totoro was a repeat view classic, along with Ponyo, Howl’s Moving Castle, Lupin the 3rd, and most of the others too. In this context Osmond’s book is a refreshing way to reconsider the value of Spirited Away and the impact that it had globally.

Osmond covers a wide range of ground in terms of the movie, it’s production and the team that created it. This all makes for a good read, while still coming in at under 100 pages, making it long enough to geek out, without it becoming too long or too obsessive. The updated foreward also factors in the positive influence of John Lassater in helping the Studio Ghibli movies to a wider US and global audience.

Overall Osmond showcases the joy, quirkiness and difference that the Studio Ghibli movies have brought to the world.


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